Geddy Lee, Alex Lifeson and Neil Peart. Three pretty unassuming Canadians fellows who, unlike many high profile celebrities, can often enjoy a peaceful meal without people recognizing them. I don’t know when they arrived in St.

I was recently invited to see Thoroughly Modern Millie at the Robert G. Reim Theatre in the Kirkwood Community Center. Millie, based on the 1967 film of the same name, was a hit on Broadway, winning a number of Tony Awards including Best Musical in 2002.

The much-beloved television series I Love Lucy ended in 1957, nearly 20 years before my time.

When I was just a small child, I would get my hands on a couple of my mother’s pots and a couple of wooden spoons, and go to town making the most unharmonious racket you can imagine. It wouldn’t take long before those cooking implements were taken away and peace and quiet was restored to the Ritter household.

The 2014-2015 US Bank Broadway Series at the Fabulous Fox Theatre come so to a close with the dazzling musical Kinky Boots.

For all the spectacle of a San Diego Comic-Con or a Wizard World, there' something that's been slowly slipping away from the concept of the comic book convention: the comic book.

Jerry Springer is like Coca-Cola.

For as long as I can remember people have told me, “Oh, you have to see Phantom of the Opera! It’s so terrific, so beautiful.” I suppose I can’t argue with them in terms of statistics. By box office alone, Phantom is the biggest blockbuster in Broadway history.

Some critics will scoff at The Million Dollar Quartet for its thin plot and light conflicts. If you see a review of this show somewhere that does exactly that, you should quit reading those critics because clearly they didn’t get it.